Comparing Different Types of Trailers 2 - 'West Side Story'
The second film I am going to look at is Steven Spielberg's musical 'West Side Story'. Again, this is a big budget Hollywood film, that already has an existing audience because it is a remake of a very popular film from the 1960s. Audiences are already familiar with the story, so this is again exactly the kind of film which will have a range of trailers, including a teaser trailer.
I hope to find that despite belonging to a different genre that the different trailers for 'West Side Story' share a lot of conventions with the equivalent trailers for 'No Way Home'.
TEASER TRAILER
- Small amount of dialogue
- Short in length compared to a theatrical trailer (though it is a bit longer than a normal teaser trailer)
- Main characters are introduced
- The editing is a combination of cuts and fades
- Name of director is presented (Steven Spielberg)
- Sad and mellow music is played throughout
- Title of film - appears at the end of the trailer
- The cast and crew are featured - the credits/billing block shown after title of film
- Vague release date (This December)
THEATRICAL TRAILER
- More characters are introduced through dialogue and singing there voices - these characters are developed a little and we are introduced to their character traits and get a greater understanding of their role in the narrative
- Much more footage/shots from the film - more dialogue, which helps the audience gain a greater understanding of what the film is about
- The editing is a combination of fades to/from black and cuts
- Change in pace of the editing - (slower towards the beginning when they were introducing characters and narrative, then gets quicker towards the end, almost a montage of important moments from the film)
- There is more information about the film given away and we have a much clearer understanding of what happens in the narrative
- Production company introduced near the beginning - (20th Century Studios)
- Vague release date in the middle ('This December') - however right at the end it gives a less specific release date ('December') - this is unusual as normally a theatrical trailer would have a very specific release date
- Happy and up beat music that is necessary for a musical - the music is typical of the genre (though some of the music sounds a little sad)
- Iconography of the genre - (settings, costumes, props, dance sequences, characters breaking into song)
- Title of the film along with the name of director is shown towards the end of the trailer
- Cast and crew are featured at the end
TV SPOT 1 - "Celebration"
- Lots of footage from the film (many shots were similar and found in the theatrical trailer) - with one or two additional shots
- Lots of fades
- Much shorter than a theatrical trailer (approximately 45 seconds)
- Even more specific release date at the beginning (on December 10th)
- Quicker in pace - the editing is much faster, almost a montage
- Lots of 'eye candy' - visually pleasing shots of exciting scenes such as forming a romance, feuds, song and dance scenes
- Focuses more on the main characters
- Fast and up beat music which matches the tempo of the quick editing
- Reference to specific formats - 'only in theatres'
TV SPOT 2 - "Trouble"
- Lots of dramatic footage from the film (many of the shots are similar to the theatrical trailer and the previous TV spot) - though the editing is much quicker right from the beginning
- Main characters are shown and have speech
- There are quick shots with cuts, fades and transitions
- Much shorter than a theatrical trailer (45 seconds)
- Director is shown at the beginning (Steven Spielberg)
- More dramatic, jumpy and excited music which matches the quick editing
- Title at the end of the trailer
- Same specific release date and locations (December 10th only in theatres)
- Cast and crew shown at the end


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